Posts Tagged "film"

Vimeo Festival + Awards 2012

Posted by on Jun 7, 2012

The Vimeo Awards celebrate the world’s best videos, and the people who created them. This spectacular visual festival and award ceremony is held in the heart of legendary Chelsea area of New York.

Prizes include $5,000 grants in 13 categories, plus a $25,000 Grand Prize — all to reward creators and help them make new work.

The festival on June 8th and 9th includes talks by speakers which cover the most salient topics in video production today, an area which is explored in even more detail in the many excellent workshops available over the period.

Of course the highlight are the screenings of the videos themselves.

13 Winning videos have been chosen from an original submisson of 14,567 videos – the quality and diversity of imagination in the work is quite phenomemal.

You can see the full schedule of events here:

The event ends on a high with a great all-night party, with a DJ (and an open bar)

TALKS/CONVERSATIONS
  • Keynote Address: the End of the Beginning With Dr. Reginald Watts

    The illustrious Internetologist Dr. Reginald Watts returns to the Vimeo Festival + Awards to discuss his latest theories on the tubes, wires, and webs that connect us all. This weekend he addresses a key question: How do you know whether you’re at the beginning of the end or the end of the beginning?

  • The Self-Expression Tsunami

    At what point does information about a person become a little too much information? 2010 Festival + Awards Honorary Award-winner Casey Neistat and Sundance winner Josh Safdie explore the growing number of ways in which people divulge seemingly everything about their lives online. Whether we think it’s too much or not enough, these personal sharing trends change the ways we understand our friends, family, and colleagues—and our own place in the world.

    Speakers
    • Casey Neistat
    • Josh Safdie
  • Director Profiles: Steve James and Lucy Walker

    Who best to interview a master of interview techniques? Another interview master, obviously. In a very special event, documentarians and unparalleled question-askers Steve James and Lucy Walker take to the stage together to grill each other on their careers, their creative processes, and how they get their subjects to open up on camera.

  • Limited Editions in the Digital World

    The art experience has moved beyond the museum gallery to become a dialogue between people and the devices on their desks and in their pockets. How can digital and media artists be effective players in shaping this trend and distribute their art online without giving it all away? How does encountering art online affect its interpretation? Media artist Marco Bambrilla and MoMA curator Barbara London discuss the issues and opportunities that the digital world and the Internet offer artists.

  • The Future of Creative Careers

    The landscape of creative work is changing. Much of the friction that once inhibited independent careers has been removed, and the distance between idea and execution is smaller than ever. During this Q&A, featuring Scott Belsky, CEO of Behance and author of Making Ideas Happen, we will explore the ways in which our professional output is powered by the latest technology and shaped by the new ways in which we collaborate.

  • Advertising Adapts: What’s a Brand to Do?

    There have been seismic shifts in the advertising industry since TV moved on- demand and audiences moved online. Viewers are increasingly sophisticated, and advertising has evolved in tandem, with brands delivering messages through clever content that viewers choose to watch and share. This discussion tries to identify the line between advertising and entertainment, and examines the consequences – both positive and negative – of erasing that line altogether.

    Speakers

    • Benjamin Palmer
  • Director Profiles: Daniels

    Two guys, one name, one singular vision. Daniel Kwan and Daniel Scheinert recently burst onto the scene with videos and commercials that turn chaos into humor and beauty. We ask them to sit still for a moment and tell us where they came from, what shaped their worldview, and why they refuse to be serious even for one second.

  • The New Viral Video: From Keyboard Cat to Ideas Worth Spreading

    Videos with millions of views come in many flavors, but they have a common thread: they inspire us to share them with others. Viral videos have often provided decidedly ephemeral entertainment—think cats playing pianos and dogs riding skateboards. Yet TED is at the forefront of a burgeoning trend that puts ideas worth spreading high up on the list of things your friends and family simply have to watch. What makes users want to share a meaningful video? What drives success? With more than 750 million views to date, the TED case study illuminates some of the most important trends defining the new viral video.

  • Going Pro

    So, you want to do this for a living, huh? The gap between serious amateur and budding professional can look quite large, so we’re bringing in some new and seasoned pros to share their perspectives on making the leap. We’ll talk with experts Kevin Iwashina, a film, tv & digitalcontent producer and media advisor who spent 10 years working as an agent at CAA and Lana Kim, who represents directors such as Megaforce,Andy Bruntel, Romain Gavras, and Sofia Coppola. We’ll also get the scoop from director Nima Nourizadeh, who recently made the journey from creating low-budget music videos to directing Project X, his first feature in Hollywood.

    Speakers

    • Lana Kim
    • Nima Nourizadeh
    • Kevin Iwashina
  • Failure FTW

    Not succeeding plays a hugely important role in the creative process. This session features Ted Hope and Ed Burns discussing the importance of embracing failure in creative work, with postcards from their own personal dark days—jobs that went wrong, ideas that fizzled out, expectations decidedly unexceeded—and exploring how failing miserably is crucial to artistic achievement (and even finding happiness).

  • Director Profiles: Saman Keshavarz

    Saman Keshavarz was born in Tehran, Iran, raised in the United States, and, according to the bio on his blog, his last known whereabouts were in Smurf Land. But the director, whose music videos for !!!, Cinnamon Chasers, and Deus have made him one of the field’s rising stars, will be right here at the Festival to take us through his journey so far — and let us know what lands he plans to explore next.

  • World Premiere of ‘Limbo,’ the New Film by 2010 Grand Prize Winner Eliot Rausch

    At the 2010 Festival + Awards, Eliot Rausch took home top honors for his touching film “Last Minutes with Oden.” During this profile, Eliot will tell us how winning the Grand Prize changed his life and what he’s been up to since. The session includes the world premiere of Eliot’s new film, “Limbo,” which he made with his 2010 prize money, as well as a behind-the-scenes look at how the Limbo came to life.

 

Saturday

 Putting the Fun in Funding
  • When it comes to obtaining a decent budget for your project, you are no longer reduced to groveling at the feet of rich friends. This session looks at three more dignified ways to find funding: through grant organizations, crowd-sourcing, and brands that want to catalyze great content. Kickstarter’s Art Program Director Stephanie Pereira, The Creators Project’s Global General Manager Hosi Simon, and Adella Ladjevardi, Grants Manager at funding body Cinereach, will tell us how they work, what they’re looking for in projects, and what you need to know when approaching them.

    Speakers

    • Adella Ladjevardi
    • Stephanie Pereira
    • Hosi Simon
  • Building Your Audience

    You’ve spent lots of time, energy, and money making your film, and once it’s done you want make sure it doesn’t end up like a wallflower at the online video party—you need to actively seek out watchers. Vimeo’s Blake Whitman, director Philip Bloom and designer Nick Campbell get down to some serious talk around how to grow and maintain an audience for your work.

  • The Art of Getting Paid

    Yes, you create because you love doing it, but imagine loving doing it while being compensated appropriately—or even handsomely. Learn where the money is and how to get to it in this insightful look at the financial side of filmmaking through the eyes of fundraising expert and all-round maverick Brian Newman.

  • The Science of Storytelling

    With high-quality camera equipment now widely accessible, almost anyone can shoot videos that look good. But pretty pictures get you only so far — the way to truly captivate viewers is by telling a story that grips from the get-go and hangs on well after the final frame. And while we can feel that stories are powerful, there’s science behind them, too. Jonathan Gottschall, author of The Storytelling Animal: How Stories Make Us Human, draws on the latest research in neuroscience, psychology, and biology to argue that storytelling has evolved to ensure our species’ survival. With insight on the basic human impulses behind tragedies, comedies, and cliffhangers, this session is a must for anyone who wants to tell a story that hits audiences in the heart, the gut, and other important organs.

    Speakers

    • Jonathan Gottschall
  • One Day on Earth – Connecting the World Through Video

    The Internet has enabled creators to call upon the world to act, uniting people and helping us work together on a global scale. This session shines a light on one of our favorite collaborative projects, One Day on Earth, and on how the group galvanized people all over the world to work together on a film that captures what happens on our planet in a single day.

    Speakers

    • Kyle Ruddick
    • Brandon Litman
  • Director Profiles: Vincent Laforet

    Vincent Laforet started by making a splash in the world of still photography, working for The New York Times at the tender age of 25 and winning a Pulitzer Prize. He’s since turned to moving images and maintained pace — he received Cannes Lions Awards for Canon’s “Beyond The Still,” and his recent short “Mobius” for the same camera brand immediately went viral. We’ll talk to Vincent about his accomplishments and learn how budding filmmakers can achieve big goals.

  • Beyond the Screen: Notes from the Bleeding Edge of Filmmaking

    Executing big ideas can require big technology, and the most forward-looking filmmakers are inventing their own to bring groundbreaking concepts to life. From holographs to projection maps to apps that facilitate extraordinary levels of audience interaction, the topics of this conversation run the gamut: what’s hot now, what’s next, even what hasn’t been thought of yet. Participating are two of the industry’s leading innovators: Kenzo Digital, the new media heavyweight and creative director behind work for Nike, Beyonce, the Obama campaign, and Nam Jun Paik Studios; and Loc Dao, the award-winning executive producer and creative technologist for the National Film Board of Canada’s digital studio. Led by moderator Lance Weiler, the pair will discuss the technology they are most excited about, how new tools spark new ideas, and why telling a great story is still of paramount importance.

VIMEO

Vimeo is a US based video sharing website where users can upload, view and share videos. It was founded in 2004 by Zach Klein and Jake Lodwick, who created the name “Vimeo”, which plays on the words video and “me” to emphasise the site’s dedication to user-made videos. The name is also an anagram of the word “movie”.

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All I Can: Best Ski Film Ever

Posted by on May 19, 2012

Plot Summary

An unparalleled cinematic experience: All.I.Can is a stunning exploratory essay that compares the challenges of big mountain skiing to the challenges of global climate change.

Shot on 6 continents over 2 years, the world’s best skiers deliver inspirational performances while ground-breaking cinematography expands our vision of the natural world. Journey through Morocco’s majestic desert peaks, Greenland’s icy fjords, Chile’s volcanic craters, Alaskan spine walls, and more.

Join the revolution and experience one of the most spectacular, captivating, and thought-provoking films ever created in the action sports genre.

By Sherpas Cinema

All.I.Can. iTunes HD download: itunes.apple.com/us/movie/sherpa-cinema-all-i-can/id470509338
All.I.Can. DVD / Blu-ray available at: sherpascinema.com
Thanks for your support!!

All.I.Can Awards:
“BEST FEATURE-LENGTH MOUNTAIN FILM” – Banff Mountain Film Festival 2011
“BEST DOCUMENTARY” – IF3 Film Festival Montreal 2011
“MOST INNOVATIVE VISUAL FX” – IF3 Film Festival Montreal 2011
“BEST SKI FILM” – Adventure Film Festival, Boulder 2011
“BEST CINEMATOGRAPHY” – ESPN Fan Favorites 2011
“PEOPLES CHOICE” and “BEST SKI FILM” – Fernie Film Festival, BC 2011
“BEST CINEMATOGRAPHY” – International Freeride Film Festival, France 2011
“BEST PICTURE” – International Freeride Film Festival, France 2011
“BEST FILM OF THE YEAR” – Adventure Film Festival, Copenhagen 2011
“BEST CINEMATOGRAPHY” – X-Dance Film Festival, SLC 2012
“AMBASSADOR OF GREEN” – X-Dance Film Festival, SLC 2012
“BEST FILM” – X-Dance Film Festival, SLC 2012
“FULL THROTTLE AWARD” – Kye Petersen, Powder Video Awards 2012
“BEST NATURAL AIR” – Kye Petersen, Powder Video Awards 2012
“BEST POV” – JP Auclair, Powder Video Awards 2012
“BEST EDITING” – Powder Video Awards 2012
“MOVIE OF THE YEAR” – Powder Video Awards 2012

Press reviews:
“The best movie in skiing.”
– Jamey Voss, ESPN es.pn/pPxkbQ

“Like listening to a Zeppelin song.”
– John Stifter, Powder Magazine: bit.ly/nl0JiT

“The Sherpas are firmly in the lead of a new wave of filmmakers that are changing the face of ski films for good.” – Leslie Anthony, Skier Magazine: bit.ly/mVaYsy

“By the end, as I headed out from the screening, trying to walk straight after being pummeled by what I had seen, the only thought going through my head was that the trailer did not do its movie justice.” – Mark Quail, skistarmovies.com/review/all-i-can

 

http://itunes.apple.com/us/movie/all.i.can.-by-sherpas-cinema/id470509338

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KONY 2012: Do It Now

Posted by on Apr 2, 2012

“Its hard to look back on some parts of human history because when we heard about injustice we cared, but we didn’t know what to do
Too often we did nothing, but if we’re going to change that we have to start somewhere”

Invisible Children uses Film, Creativity and Social Action to end the use of Child Soldiers in Joseph Kony’s Rebel War and Restore Communities in Central Africa to Peace and Prosperity

Joseph Kony and the Lord’s Resistance Army
Joseph Kony, a former Catholic alter boy from northern Uganda formed what he called “The Lord’s Resistance Army” in about 1987 – originally called the United Holy Salvation Army (UHSA).

The Lords Resistance Army demanded that Uganda be ruled according to the Biblical Ten Commandments.

Kony formed his army mostly of children kidnapped and abducted by LRA, girls are taken for sex slaves and boys as fighters. Kony is thought to have more than 80 wives as he and his senior commanders take their pick of the abducted girls.

The LRA has abducted possibly over 100,000 children.

The children are forced to perform almost unimaginable acts of cruelty, including often being forced to kill their own parents.
————
Kony received a surge of attention in early March 2012 when a 30-minute documentary titled Kony 2012 by film maker Jason Russell for the campaign group Invisible Children Inc was released. By the 17th of March it had been viewed by over 80 million people.

The charity “Invisible Children” hope to raise Kony’s notoriety enough to provoke a massive overnight poster campaign, planned for 20 April 2012

Money and Power Dictate to Governments
It’s always been that the decisions made by the few with the money and the power dictated the priority of their governments and the stories in the media. They determine the lives and the opportunities of their citizens.

But now there’s something bigger than that. The people of the world see each other and can protect each other.
It’s turning the system upside down. And it changes everything.

We are living in a new world, a Facebook world in which 750 million people share ideas, not thinking in borders. Its a global community, bigger than the U.S.

“Joseph Kony was committing crimes for 20 years and no-one cared. We care.”

A Turning Point in History

We have reached a crucial time in history, where what we do, or don’t do right now will affect every generation to come.

Arresting Joseph Kony will prove that the world we live in has new rules, that the techology that has brought our planet together is allowing us to respond to problems of our friends.
We are not just studying human history, we are shaping it

Nothing is more powerful than an idea whose time has come.

Three things you can do:
1. Sign the Pledge to Show Your Support
2. Get the Bracelet and the Action Kit
3. Sign up for Tri to Donate a Few Dollars a Month
and join our Army for Peace

http://www.kony2012.com/

Download the Kit here.

To see real time reports on LRA activity in the D.R.Congo, Central African Republic and South Sudan visit: http://www.lracrisistracker.com/

To learn more about Invisible Children’s recovery efforts in the post-conflict regions of northern Uganda AND our work with communities currently affected in D.R.Congo, Central African Republic and South Sudan visit: http://www.invisiblechildren.com/programs.html

To view our response to common critiques to the KONY 2012 film and campaign visit:

http://www.invisiblechildren.com/critiques.html

To see our worldwide youth mobilization initiatives:

http://www.invisiblechildren.com/movement.html

Learn More: http://kony2012.com

Donate to Invisible Children: https://stayclassy.org/checkout/set-donation?eid=14711

For official MEDIA and artist REPRESENTATION ONLY: Christina Cattarini cattarini@sunshinesachs.com

DIRECTOR: Jason Russell LEAD EDITOR: Kathryn Lang EDITORS: Kevin Trout, Jay Salbert, Jesse Eslinger LEAD ANIMATOR: Chad Clendinen ANIMATOR: Jesse Eslinger 3-D MODELING: Victor Soto VISUAL EFFECTS: Chris Hop WRITERS: Jason Russell, Jedidiah Jenkins, Kathryn Lang, Danica Russell, Ben Keesey, Azy Groth PRODUCERS: Kimmy Vandivort, Heather Longerbeam, Chad Clendinen, Noelle Jouglet ORIGINAL SCORES: Joel P. West SOUND MIX: Stephen Grubbs, Mark Friedgen, Smart Post Sound COLOR: Damian Pelphrey, Company 3 CINEMATOGRAPHY: Jason Russell, Bobby Bailey, Laren Poole, Gavin Kelly, Chad Clendinen, Kevin Trout, Jay Salbert, Shannon Lynch PRODUCTION ASSISTANT: Jaime Landsverk LEAD DESIGNER: Tyler Fordham DESIGNERS: Chadwick Gantes, Stephen Witmer

MUSIC CREDIT:

Original Instrumental Scores by Joel P. West http://www.joelpwest.com/

“02 Ghosts I” Performed by Nine Inch Nails, Written by Atticus Ross and Trent Reznor, Produced by Alan Moulder, Atticus Ross, and Trent Reznor, Nine Inch Nails appear courtesy of The Null Corporation

“Punching in a Dream”, Performed by The Naked and Famous, Written by Aaron Short, Alisa Xayalith, and Thom Powers, Produced by Thom Powers, The Naked and Famous appear courtesy of Somewhat Damaged and Universal Republic

“Arrival of the Birds”, Performed by The Cinematic Orchestra, Written by The Cinematic Orchestra, Produced by The Cinematic Orchestra, The Cinematic Orchestra appears courtesy of Disney Records

“Roll Away Your Stone”, Performed by Mumford and Sons, Written by Benjamin Lovett, Edward Dwane, Marcus Mumford, and Winston Marshall, Produced by Markus Dravs, Mumford and Sons appear courtesy of Glassnote Entertainment Group LLC

“On (Instrumental)”, Performed by Bloc Party

Written by Bloc Party, Produced by Jacknife Lee, Bloc Party appears courtesy of Vice Records

“A Dream within a Dream”, Performed by The Glitch Mob, The Glitch Mob appears courtesy of Glass Air

“I Can’t Stop”, Performed by Flux Pavilion, Flux Pavilion appears courtesy of Circus Records Limited

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Summer of a Lifetime

Posted by on Mar 26, 2012

“Last summer I decided it was time to see the this “world” I had been hearing so much about. So I bought a backpack, bought a guide book and booked a flight to Peru with a return flight from Brazil.
And so began the best summer of my life. 🙂

This video montage is basically a summary of the trip, showcasing some of the beautiful places and faces that I encountered.”

Shared on vimeo.com/fluentfilm by film-maker and photographer, BabaBC (from Norway)

Filmed on a Canon 550D with Magic Lantern (till that got stolen at knifepoint and I got myself a 600D), kit lens and f1.4 50mm (also stolen), a few shots with a f2.8 135mm.

Colorista for color, Neat Video for noise, After Effects and Premiere. CineStyle color profile in camera.

Music: Mike Oldfield – Ommadawn (2010 Stereo mix)

—————————
Also by Bababc
“After stumbling upon these macro photos of the human eye, I got a little inspired and started fiddling with my 550D. In addition to being fun this was partially a test for an upcoming project.
In any case, it turned into this:”
Eye Macro below

http://fluentfilm.com

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Into Eternity: A Few Hours to See a Hidden Place

Posted by on Mar 3, 2012

Dont Miss This!

You have a matter of hours to see this film live-streamed for free.
See a place that has been carefully hidden from most of us,
along with the frightening realities it hides.

This may perhaps be the longest-lasting monument to our civilisation, and what will it say about us?

Watch it Live while it is available…here…

THE FILM

INTO ETERNITY is a multi award-winning documentary film about long-term safety issues in nuclear energy production. The film is set at ’Onkalo’ the world’s first permanent storage site for nuclear waste, which is under construction in Finland. However, all countries with nuclear energy facilities have to deal with nuclear waste for at least 100 000 years.

With the Fukushima disaster, Japan now has additional nuclear waste. Onkalo is an underground facility, but Fukushima is above ground, vulnerable to natural disasters, war, and economic crisis. The reactors, that suffered full or partial meltdown, will have to be permanently controlled and maintained for millenia on end.

THE EVENT

The radioactive evacuation zone is now uninhabitable. It has become a blind spot in the middle of
Japan, a symbol of the dangers of blindness in thinking about safety. We cannot secure ourselves
against things we cannot – or will not – see.

A TOTAL OF 150 837 PEOPLE ARE DISPLACED AS A RESULT OF THE FUKUSHIMA DISASTER.

A window of 150 837 seconds of free on-line streaming of the documentary
INTO ETERNITY has now opened.

WHEN

March 3rd, 2012 at 7.32 am (CET): The window opens

March 5th, 2012 at 1.26 am (CET): The window closes

AWARDS:

Wild & Scenic Film Festival, January 2012, California, USA

Best of Festival

FilmAmbiente – International Environmental Film Festival, November 2011, Rio de Janeiro, Brazil

Best International Feature Film
Baikal International Festival of Documentary, October 2011, Irkutsk, Russia

Grand Prix

Antenna International Documentary Film Festival, October 2011, Sydney, Australia

Best International Film

International Uranium Film Festival, May 2011, Rio de Janeiro, Brazil

Jury Award: Best Feature Documentary

Cinemaplaneta, March 2011, MEXICO

Award for: “the most innovative approach to an environmental issue”

Documentary New Zealand Trust, February 2011

Best international editing

Special Mention: Best International Feature Doc
FIFE, Paris, France, November 2010

Grand Prix

IDFA, Amsterdam, The Netherlands, November 28th 2010

IDFA Green Screen Award

Sheffield, UK, November 7th 2010

Special mention Sheffield Green award

Festival des Libertes, Brussels, Belgium, October 30th 2010

Lichtpunt Prize

CineEcoJúri Internacional, 25 October 2010, Portugal

GRANDE PRÉMIO CINE’ECO 2010

Youth Jury Award
Nordisk Panorama – 5 Cities Film Festival, Bergen Norway, September 29th, 2010

Nordic Documentary Award
Docufest, Prizren, Kosova, August 8th 2010

Special Mention
Planete Doc Review, May 17th 2010, Warsaw Poland

Green Award
Vision Du Reel, Nyon, Suisse, April 13th 2010

Grand Prix
CPH:DOX, Copenhagen, Denmark, November 16th 2009

Audience award

IN ADDITION MICHAEL MADSEN AS DIRECTOR HAS RECEIVED:

CPH:DOX, November 2010, Denmark

Reel Talent 2010 Award

The Danish Arts Foundation, The Committee for Film and Theatre, spring 2010

Award for Into Eternity

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