Seed Story
As a lone dandelion blossoms in an abandoned parking lot, it divides the lives of several miniature people in this experimental narrative short film by award winning film maker William D. Caballero.
Filmed in an abandoned parking lot, using a cast of carefully painted tiny model figures this experimental film focuses on the destructive addictions humanity has suffered through the ages.
The film looks at the role of religion, capitalism, environmentalism and fascism through the perspective of macro photography.
Shooting took place over two months in the Summer of 2012, on a budget of less than$3,000. Torches, sparklers and smoke guns were used to create special effects.
Shooting was done close to the ground, during both days of 90 degree heat and heavy rainstorms. The biggest disruption proved to be breezes that at times blew entire sets away.
Directed and conceived by William D. Caballero, it premiered at the 2013 Slamdance Film Festival and at numerous festivals across the world.
As of April, 2013, SEED STORY has screened or will screen at numerous film festivals, including a world premiere at the SLAMDANCE FILM FESTIVAL in January, 2013. The festival had a less than 2% acceptance rate making entry into it more competitive than entry into Harvard!
AWARDS:
VANGUARD AWARD (for directors who are pushing the boundaries of experimental/non-linear film) at the 2013 ART OF BROOKLYN FILM FESTIVAL!
BEST SOUND DESIGN at the 2013 VISIONFEST
BEST SHORT FILM (Honorable Mention) at the 2013 PHILADELPHIA INDEPENDENT FILM FESTIVAL
OFFICIAL SELECTIONS
- VIMEO STAFF PICK
- SLAMDANCE FILM FESTIVAL
- ATLANTA FILM FESTIVAL
- RxSM FILM EXPO
- PHILADELPHIA INDEPENDENT FILM FESTIVAL
- VISIONFEST
- KAHBANG FILM FESTIVAL
- ART OF BROOKLYN FILM FESTIVAL
- VICTORIA TEXAS INDEPENDENT FILM FESTIVAL
- XICAN INDIE FILM FESTIVAL
- INDIANAPOLIS INTERNATIONAL FILM FESTIVAL
- GUANAJUATO INTERNATIONAL FILM FESTIVAL
- PORTLAND UNDERGROUND FILM FESTIVAL
- HARLEM INTERNATIONAL FILM FESTIVAL
More to come!
To see a new short film consisting of deleted scenes from Seed Story, click here: vimeo.com/74943004
The film below was created using deleted scenes from the Seed Story film.
For more information on the project, visit wilcab.com/seedstory/
Directed, produced, shot, edited, animated, and scored by William D. Caballero
“Special thanks to the art crew and production team. I couldn’t have done it without you.”
Rolling Stones Headline at Glastonbury
home to Glastonbury Abbey, one of the most important abbeys in England.
It’s also a town which attracts thousands of people interested in New Age or Pagan beliefs largely because of the myths and legends related to Glastonbury Tor.
These include references to the Holy Grail, King Arthur and Joseph of Arimathea, with some Arthurian literature identifying it as the legendary Island of Avalon.
Glastonbury Festival of Contemporary Performing Arts
Internationally Glastonbury is best known as home to the most famous music festival in the world – The Glastonbury Festival of Contemporary Performing Arts which includes dance, comedy, theatre, circus, cabaret and other arts as well as contemporary music.
Festival organiser Michael Eavis is a local farmer who was inspired after seeing the open air Led Zeppelin concert at Bath Festival of Blues and Progressive Music, 1970 to host an open air festival on the the farm. 14 people invested everything they had to build the stage (many told them the idea would never catch on). The first festival was in 1970 – and the rest as they say, is history.
Rolling Stones Live at Glastonbury 2013
The Rolling Stones headlined the Pyramid Stage, playing to a crowd of over 170,000 (not bad for a group that has been around for 50 years).
Their gig started around 9.45 pm at the end of a beautifully sunny day in Somerset with the crowd waiting in electric anticipation for the most high profile act ever to perform at Glastonbury (having taken 43 years to get there) .
The Stones played a twenty song set including a version of “Factory Girl” which with specially adapted lyrics became “Glastonbury Girl”
“It was one of the greatest rock and roll sets I’ve ever seen in my life and I think one of the greatest rock and roll sets Glastonbury has ever seen”. “They really just rocked it. The band seemed almost as impressed as the crowd. I guess the audience makes the gig as much as the band.” Telegraph music critic Neil McCormick
Rolling Stones Glastonbury Song List:
‘Jumpin’ Jack Flash’
‘It’s Only Rock ‘N Roll (But I Like It)’
‘Paint It, Black’
‘Gimme Shelter’
‘Glastonbury Girl’
‘Wild Horses’
‘Doom And Gloom’
‘Can’t You Hear Me Knocking’
‘Honky Tonk Women’
‘You Got The Silver’ ‘Happy’
‘Miss You’
‘Midnight Rambler’
‘2000 Light Years From Home’
‘Sympathy For The Devil’
‘Start Me Up’
‘Tumbling Dice’
‘Brown Sugar’
‘You Can’t Always Get What You Want’ ‘
(I Can’t Get No) Satisfaction’
What the Posters Say
An interesting article by musician and writer, Anya Pearson looks at festivals as an annual yardstick of Britain’s musical talent. By taking the much publicised Festival Posters and editing out all acts represented on the posters that do not include at least one female musician, she turns them into a barometer of gender equality in 21st Century Britain. “As a female musician currently in two mixed-gender bands, I have always been painfully aware of my minority status in the music scene.” she says.
Glastonbury 2013 Poster showing music acts appearing at the festival
Glastonbury 2013 Poster – showing only acts that include
at least one female musician (34%).
Glastonbury was not the worst offender for failing to represent female musicians, probably thanks partly to co-organiser of the event, Emily Eavis, but its poster still only had 34% of the acts that included female musicians.
Bestival 2013 Poster showing music acts appearing at the festival
Bestival 2013 Poster showing only acts that include
at least one female (21%)
Reading and Leeds 2013: Poster showing music acts appearing at the festivals
Reading and Leeds 2013: Poster showing only music acts appearing at
the festivals which include at least one female (17%)
Pearson concludes:
“Still, festivals alone are not to blame: promoters, managers and record labels all play their part. As a society we are less encouraging of girls who aspire to headline Glastonbury. I was lucky. My mother is a musician who started out in the 70s and always told me my XX chromosome was no barrier to making music.
That said, there are lots of brilliant female musicians out there – as Yoko Ono’s Meltdown at the Southbank Centre proved. Women aren’t passive consumers of popular culture – we just often lack a creative platform to showcase what we can do.”
http://www.glastonburyfestivals.co.uk/
http://womensliberationmusicarchive.co.uk/
http://www.southbankcentre.co.uk/whatson/festivals-series/yoko-onos-meltdown/
http://www.guardian.co.uk/commentisfree/2013/jun/26/glastonbury-festival-few-women-artists
Read MoreVimeo Festival + Awards 2012
The Vimeo Awards celebrate the world’s best videos, and the people who created them. This spectacular visual festival and award ceremony is held in the heart of legendary Chelsea area of New York.
Prizes include $5,000 grants in 13 categories, plus a $25,000 Grand Prize — all to reward creators and help them make new work.
The festival on June 8th and 9th includes talks by speakers which cover the most salient topics in video production today, an area which is explored in even more detail in the many excellent workshops available over the period.
Of course the highlight are the screenings of the videos themselves.
13 Winning videos have been chosen from an original submisson of 14,567 videos – the quality and diversity of imagination in the work is quite phenomemal.
You can see the full schedule of events here:
The event ends on a high with a great all-night party, with a DJ (and an open bar)
TALKS/CONVERSATIONS
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Keynote Address: the End of the Beginning With Dr. Reginald Watts
The illustrious Internetologist Dr. Reginald Watts returns to the Vimeo Festival + Awards to discuss his latest theories on the tubes, wires, and webs that connect us all. This weekend he addresses a key question: How do you know whether you’re at the beginning of the end or the end of the beginning?
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The Self-Expression Tsunami
At what point does information about a person become a little too much information? 2010 Festival + Awards Honorary Award-winner Casey Neistat and Sundance winner Josh Safdie explore the growing number of ways in which people divulge seemingly everything about their lives online. Whether we think it’s too much or not enough, these personal sharing trends change the ways we understand our friends, family, and colleagues—and our own place in the world.
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Director Profiles: Steve James and Lucy Walker
Who best to interview a master of interview techniques? Another interview master, obviously. In a very special event, documentarians and unparalleled question-askers Steve James and Lucy Walker take to the stage together to grill each other on their careers, their creative processes, and how they get their subjects to open up on camera.
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Limited Editions in the Digital World
The art experience has moved beyond the museum gallery to become a dialogue between people and the devices on their desks and in their pockets. How can digital and media artists be effective players in shaping this trend and distribute their art online without giving it all away? How does encountering art online affect its interpretation? Media artist Marco Bambrilla and MoMA curator Barbara London discuss the issues and opportunities that the digital world and the Internet offer artists.
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The Future of Creative Careers
The landscape of creative work is changing. Much of the friction that once inhibited independent careers has been removed, and the distance between idea and execution is smaller than ever. During this Q&A, featuring Scott Belsky, CEO of Behance and author of Making Ideas Happen, we will explore the ways in which our professional output is powered by the latest technology and shaped by the new ways in which we collaborate.
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Advertising Adapts: What’s a Brand to Do?
There have been seismic shifts in the advertising industry since TV moved on- demand and audiences moved online. Viewers are increasingly sophisticated, and advertising has evolved in tandem, with brands delivering messages through clever content that viewers choose to watch and share. This discussion tries to identify the line between advertising and entertainment, and examines the consequences – both positive and negative – of erasing that line altogether.
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Director Profiles: Daniels
Two guys, one name, one singular vision. Daniel Kwan and Daniel Scheinert recently burst onto the scene with videos and commercials that turn chaos into humor and beauty. We ask them to sit still for a moment and tell us where they came from, what shaped their worldview, and why they refuse to be serious even for one second.
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The New Viral Video: From Keyboard Cat to Ideas Worth Spreading
Videos with millions of views come in many flavors, but they have a common thread: they inspire us to share them with others. Viral videos have often provided decidedly ephemeral entertainment—think cats playing pianos and dogs riding skateboards. Yet TED is at the forefront of a burgeoning trend that puts ideas worth spreading high up on the list of things your friends and family simply have to watch. What makes users want to share a meaningful video? What drives success? With more than 750 million views to date, the TED case study illuminates some of the most important trends defining the new viral video.
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Going Pro
So, you want to do this for a living, huh? The gap between serious amateur and budding professional can look quite large, so we’re bringing in some new and seasoned pros to share their perspectives on making the leap. We’ll talk with experts Kevin Iwashina, a film, tv & digitalcontent producer and media advisor who spent 10 years working as an agent at CAA and Lana Kim, who represents directors such as Megaforce,Andy Bruntel, Romain Gavras, and Sofia Coppola. We’ll also get the scoop from director Nima Nourizadeh, who recently made the journey from creating low-budget music videos to directing Project X, his first feature in Hollywood.
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Failure FTW
Not succeeding plays a hugely important role in the creative process. This session features Ted Hope and Ed Burns discussing the importance of embracing failure in creative work, with postcards from their own personal dark days—jobs that went wrong, ideas that fizzled out, expectations decidedly unexceeded—and exploring how failing miserably is crucial to artistic achievement (and even finding happiness).
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Director Profiles: Saman Keshavarz
Saman Keshavarz was born in Tehran, Iran, raised in the United States, and, according to the bio on his blog, his last known whereabouts were in Smurf Land. But the director, whose music videos for !!!, Cinnamon Chasers, and Deus have made him one of the field’s rising stars, will be right here at the Festival to take us through his journey so far — and let us know what lands he plans to explore next.
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World Premiere of ‘Limbo,’ the New Film by 2010 Grand Prize Winner Eliot Rausch
At the 2010 Festival + Awards, Eliot Rausch took home top honors for his touching film “Last Minutes with Oden.” During this profile, Eliot will tell us how winning the Grand Prize changed his life and what he’s been up to since. The session includes the world premiere of Eliot’s new film, “Limbo,” which he made with his 2010 prize money, as well as a behind-the-scenes look at how the Limbo came to life.
Saturday
Putting the Fun in Funding
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When it comes to obtaining a decent budget for your project, you are no longer reduced to groveling at the feet of rich friends. This session looks at three more dignified ways to find funding: through grant organizations, crowd-sourcing, and brands that want to catalyze great content. Kickstarter’s Art Program Director Stephanie Pereira, The Creators Project’s Global General Manager Hosi Simon, and Adella Ladjevardi, Grants Manager at funding body Cinereach, will tell us how they work, what they’re looking for in projects, and what you need to know when approaching them.
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Building Your Audience
You’ve spent lots of time, energy, and money making your film, and once it’s done you want make sure it doesn’t end up like a wallflower at the online video party—you need to actively seek out watchers. Vimeo’s Blake Whitman, director Philip Bloom and designer Nick Campbell get down to some serious talk around how to grow and maintain an audience for your work.
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The Art of Getting Paid
Yes, you create because you love doing it, but imagine loving doing it while being compensated appropriately—or even handsomely. Learn where the money is and how to get to it in this insightful look at the financial side of filmmaking through the eyes of fundraising expert and all-round maverick Brian Newman.
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The Science of Storytelling
With high-quality camera equipment now widely accessible, almost anyone can shoot videos that look good. But pretty pictures get you only so far — the way to truly captivate viewers is by telling a story that grips from the get-go and hangs on well after the final frame. And while we can feel that stories are powerful, there’s science behind them, too. Jonathan Gottschall, author of The Storytelling Animal: How Stories Make Us Human, draws on the latest research in neuroscience, psychology, and biology to argue that storytelling has evolved to ensure our species’ survival. With insight on the basic human impulses behind tragedies, comedies, and cliffhangers, this session is a must for anyone who wants to tell a story that hits audiences in the heart, the gut, and other important organs.
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One Day on Earth – Connecting the World Through Video
The Internet has enabled creators to call upon the world to act, uniting people and helping us work together on a global scale. This session shines a light on one of our favorite collaborative projects, One Day on Earth, and on how the group galvanized people all over the world to work together on a film that captures what happens on our planet in a single day.
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Director Profiles: Vincent Laforet
Vincent Laforet started by making a splash in the world of still photography, working for The New York Times at the tender age of 25 and winning a Pulitzer Prize. He’s since turned to moving images and maintained pace — he received Cannes Lions Awards for Canon’s “Beyond The Still,” and his recent short “Mobius” for the same camera brand immediately went viral. We’ll talk to Vincent about his accomplishments and learn how budding filmmakers can achieve big goals.
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Beyond the Screen: Notes from the Bleeding Edge of Filmmaking
Executing big ideas can require big technology, and the most forward-looking filmmakers are inventing their own to bring groundbreaking concepts to life. From holographs to projection maps to apps that facilitate extraordinary levels of audience interaction, the topics of this conversation run the gamut: what’s hot now, what’s next, even what hasn’t been thought of yet. Participating are two of the industry’s leading innovators: Kenzo Digital, the new media heavyweight and creative director behind work for Nike, Beyonce, the Obama campaign, and Nam Jun Paik Studios; and Loc Dao, the award-winning executive producer and creative technologist for the National Film Board of Canada’s digital studio. Led by moderator Lance Weiler, the pair will discuss the technology they are most excited about, how new tools spark new ideas, and why telling a great story is still of paramount importance.
VIMEO
Vimeo is a US based video sharing website where users can upload, view and share videos. It was founded in 2004 by Zach Klein and Jake Lodwick, who created the name “Vimeo”, which plays on the words video and “me” to emphasise the site’s dedication to user-made videos. The name is also an anagram of the word “movie”.
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